Contributing WriterGerman DJ/producer Ben Evers has worked for many years as one half of Adana Twins, achieving chart-topping singles, DJ sets at influential clubs/festivals and releases on top labels. Ahead of his first solo release, ‘Ravers of the Universe’, Ben sat down with Music Is 4 Lovers to discuss his career highlights and production techniques.
Hey Ben! Thanks for chatting to Music Is 4 Lovers. As we’re nearing the end of 2023, are there any major highlights that come to mind?
Well, in terms of my Ben Evers project, my highlight was definitely when Benji (Benjamin Fröhlich) wrote to me that they wanted to sign my record for Permanent Vacation. That was undoubtedly an all-time highlight of my producer career as this label had a big influence on me in the past. Additionally, I moved into a new studio space and have stopped drinking alcohol for six months, which is definitely another highlight of the year. Being sober, combined with the new studio and weekly boxing classes, has opened my mind, making me more productive than ever. In the past, I might have made only one track a month, but now I can easily produce two tracks or more in a week.
Managing my time between studio work, friends, sports, touring, and, of course, my biggest responsibility—my family—has been essential. My oldest son also had his first day in school at the end of August, which was definitely a proud daddy highlight.
As one half of ‘Adana Twins’, you’ve recently stepped out on your own for a solo EP ‘Ravers of the Universe’ which is out 12th January 2024; why did you decide to create a solo project for your latest release?
I was producing stuff for Adana Twins all along. This year, while experimenting, I created tracks that didn’t perfectly fit the Adana Twins style but were dear to me. It would have been a shame not to release them. Thus, I decided to embark on this new project because I truly believed in these tracks. After years in the industry, I felt the need to break out of my comfort zone, exploring different avenues to keep my creativity thriving. Otherwise, I wouldn’t be content in the future. I realized the importance of having my own space where I could be myself and do what felt right for me, which feels amazing right now.
We’re loving the sounds of ‘Ravers of the Universe’, it certainly has a vintage house feel to it. What was the production process like for this release? Were you influenced by any styles in particular?
Influences for ‘Ravers of the Universe’ stem from the vintage house vibe that I adore. Last year, I stumbled upon samples from the Roland M-DC 1 dance machine—an old rack machine containing fantastic loops and samples, including the famous “Oh” sample used by DJ Metatron in ”Oh Ah“ and Nelly in „Dilemma“. I began with a drum loop from the Roland Machine and discovered some great stabby chords on splice. The bassline from the Moog Mini, arps from the Repro 1 and MS20, strings from Arturia’s “Augmented Strings,” and, of course, the vocal sample easily fell into place while I was experimenting. So, my synths, samples, and love for vintage sounds inspired the creation of this track.
The fantastic track ‘Vamporizer’ contains a familiar sample which fits perfectly, what is the story behind its’ inclusion?
While producing ‘Vamporizer’ the vocal sample from Outlander’s “The Vamp” popped into my mind. I can’t explain why, but I started singing it during the production process. I sampled it immediately, and as you mentioned, it fit perfectly, providing the track with its final touch.
As a DJ, do you have any sets you would say were the highlight of your career?
Yes, my opening set at Strafwerk before Agoria almost 10 years ago stands out as one of the best sets I’ve ever played. The music I played back then was entirely different from what I play now, but I still vividly remember that gig. Starting in front of an empty space and witnessing the venue get super packed within 30-40 minutes—the vibe that night was unbelievably good. Even though there was a very bad bumper at the end of the set, it didn’t ruin the overall experience, showcasing the human aspect of the performance.
What sets apart your local music scene in Hamburg from others?
Hamburg’s local music scene stands out for its compressed and more housey vibe. After the Covid period, it feels like it’s growing stronger than in the years before. There are many exciting developments, such as the fantastic party series by Cafe Soda. Unfortunately, some of our best clubs, including PAL (beside Pudel, my absolute favorite in recent years), are closing. It’s a loss, as these venues provided a wonderful safe space for DJs and dancers. With the Ben Evers project, I aim to play more often in Hamburg. It’s essential for me to have my friends around and support my hometown, where everything started, and where I had some of the best nights of my life—a feeling I miss.
Away from the studio and the club, what are your other passions or interests?
Outside the studio and club scene, I’ve developed a passion for boxing during the pandemic. Surprisingly, I never saw myself engaging regularly in sports again. I used to be someone who paid for a gym membership without going or staying focused. Boxing at Tough Gym, where my coaches Human and Houmayan are the best, has been a game-changer. Boxing clears my mind and kicks off my week after touring. Additionally, I enjoy cooking nice vegan dishes, reading books when time allows, and diving into the Pokémon universe with my sons. It’s so interesting that I’m contemplating starting my own collection of these cards.
Finally, do you have anything upcoming for the rest of 2024 that you can share with us?
I have some projects in the works, but it’s a bit too early to reveal them. However, my future wife and I will create a mix together for Robert Johnson, which I find to be a really cool family endeavour. I also have a lot of new material on my hard drive—more than ever before in my life. So, without a doubt, you’ll hear more from me in 2024 because I won’t stop working.
Buy ‘Ravers of the Universe’ HERE
