Contributing WriterDaniel Knott, aka The Indiigo Child, isn’t afraid to show emotion in his music, with a house sound that blends cinematic synths, deep grooves, and soulful textures shaped by a multicultural upbringing and a family history rooted in performance, music, art, and poetry. He has built a diverse catalogue since debuting the project in 2018, with outings on Save My World, Alpha Good Girl, Techno Dream, and Throttle Therapy, and now subtly evolves his style once more.
1. Hey Daniel, thanks for sitting down with us today. How are you?
I’m doing pretty well. It’s been a busy few years of creating music. I’ve released more than 30 songs over two years, and that takes an enormous amount of energy. Overall, though, I’m feeling good.
2. Your new EP ‘Memories’ comes out via Waveform Entertainment. Can you tell us how this EP came to fruition?
It really marks a point of reflection and the beginning of a new chapter. It’s about not focusing too much on the past or looking too far into the future, but staying present and appreciating what the moment has to offer. Combined with the inspiration I draw from the Bay Area, that perspective really encapsulates how “Memories” came to fruition.
3. You said the idea that “If you live in the past, you’re going to be sad, and if you live too far in the future, you’re going to have anxiety” was central to the EP. What about this inspired you to make these tracks?
I think nostalgia comes in many different forms, and my memories, both the good and the bad, played a major role in shaping the sonic inspiration and melodies of this project. I wanted to capture a sound that feels happy and bouncy while also triggering deep emotions, all at once.
4. You live in the Bay Area, Northern California, and you have spoken about how weekend gatherings centred on art, food, music and community became a major source of inspiration. Can you tell us how these experiences and lifestyle have shaped you as an artist and your music?
Beyond the artistic inspiration, living in the Bay Area has humbled me and given me a deep appreciation for this magical place. There are so many phenomenal people working across a variety of mediums, people who push the envelope in everything they do. Being surrounded by that kind of creativity and ambition makes you want to step up and do more with your own life.
5. You have a diverse catalogue. Can you tell us about your journey in music and how you’ve built your sound?
I’m very deliberate about creating a different sonic palette for every project. I keep everything within the dance music space, but I sometimes make specific choices during the mixing process to give each song its own character. For example, I might want certain tracks to feel less polished and a little dirtier, with heavy kicks, because they’re intended for the underground scene. Other songs are meant to feel more universal and polished. Since all my music is based on my emotions and the different phases of my life, the themes naturally evolve. In that sense, my catalogue has become kinda a musical diary.
6. What is your production setup and process when creating music?
Currently, I use Logic Pro X, an MPC Live and a Virus TI2 for all my songs. I also try to use only Logic’s stock plugins, except for the Waves SSL G Compressor, which I now use on just a few tracks and occasionally on the master channel. Less is more for me. I believe it’s the combination of subtle choices that ultimately gives you a great sound in the studio.
7. Who are some of your biggest musical influences?
I have so many, but I’ll mention a few from the dance music space. Early Tiësto projects were a major influence, especially “Nyana”, which I had on repeat for months. ATB, Daft Punk, and Calvin Harris are a few others who have had a big impact on me.
8. Thank you for sitting down with us today. What else have you got planned for 2026?
Of course, and thank you for having me! I have about 20 more songs coming out between “Memories” and February 2027, and after that, we’re going fully into live performance mode. I’m excited to finally get out there, now that I’ve built a strong music catalogue and can bring that experience to a live setting. Most of all, I’m excited to connect with fans in person.
