Contributing WriterDJ and producer The Liquid Dude is renowned for blending electro, acid, house, breaks, and machine funk with a distinctive cinematic edge. Drawing from decades of musical exploration, international influences, and a deep connection to underground club culture, he has built a reputation for energetic DJ sets, forward-thinking productions, and immersive dancefloor experiences. He now brings this same energy to his latest release, ‘Artificial Ignorance’.
1. Hey, thank you for joining us today. How have you been?
The Liquid Dude: Thanks for having me. I’ve been busy expanding the Liquid Freaks project, collaborating with both upcoming and established artists across different creative fields. That includes DJs, electronic producers, ambient and classical musicians, as well as visual artists and video creators. We’re also working closely with new independent clubs, small venues, and cultural spaces that share the same passion for underground music and community.
The idea has always been to build a platform where different disciplines can come together, support emerging scenes, and create meaningful experiences beyond the dance floor. It’s been an exciting process, and there’s a lot more to come.
2. You’ve got a new EP, Artificial Ignorance, coming out. Can you tell us a bit about this release?
The Liquid Dude: Like most of my productions, the tracks on Artificial Ignorance were created as tools for the dancefloor first and foremost. I always make music with the idea of testing it in a club and seeing how people react.
With this EP, I wanted to blend the spirit of forgotten gems and vintage samples with a more forward-thinking, modern electro sound. It’s a meeting point between the past and the future—taking inspiration from overlooked records while pushing the production in a more adventurous direction.
The title Artificial Ignorance is also a play on the times we’re living in. We talk a lot about artificial intelligence, but I think there’s another risk: artificial ignorance. With so much technology available, creativity can easily become predictable if we stop taking risks. For me, it’s a reminder that it’s always better to risk something creatively—to make mistakes, experiment, and develop your own voice—than to play it safe or rely on formulas. That’s something I try to reflect in both my music and the overall concept of the project.
Conceptually, Artificial Ignorance continues the social commentary that has always been part of The Liquid Dude project. I like to explore everyday contradictions and absurdities, but always through humour rather than taking myself too seriously. That balance between dancefloor functionality, musical curiosity, and playful social critique is really the driving force behind everything I do.
3. Alongside DJing and producing, you also run your own imprint, Liquid Freaks. What made you decide to start your own label, and what is the ethos behind it?
The Liquid Dude: I started Liquid Freaks because I wanted the freedom to explore without having to fit into industry standards or follow trends. I never wanted to shape my music around what was expected or what was commercially safe. Having my own imprint means I can release projects when they feel ready, not when an algorithm or release schedule says they should.
The ethos behind Liquid Freaks is to celebrate originality, curiosity, and artistic freedom. It’s never been just a record label—it’s a creative hub where different artistic worlds can meet. Whether it’s electronic music, ambient, classical influences, visual art, technology, or collaborations with independent clubs and cultural spaces, the goal is always the same: to encourage ideas that feel honest and uncompromising.
I’d rather release fewer projects that have a strong identity than constantly chase visibility. For me, music should challenge, surprise, and leave a lasting impression. If a release still feels relevant years from now, then it’s done its job.
4. Your music blends electro, acid, house, and breaks with a focus on forward-thinking productions. What are you looking for when you’re digging for music?
The Liquid Dude: I’m always looking for records that have that “what the fuck?” factor—the kind of track that makes you stop for a second because you weren’t expecting it. Those are usually the records that stay with you. I love music that takes risks, surprises you, and isn’t afraid to sound different.
I’m also constantly digging for forgotten gems, especially records that were risky bets when they came out and later became precursors to entire movements or genres. A lot of the music I admire wasn’t immediately understood—it challenged people first and inspired them later.
When I’m building a set, I’m really trying to create a journey full of those “what the fuck?” moments. Not for the sake of shock, but because those are the records that make people discover something they didn’t know they were looking for. That’s the feeling I chase every time I play.
5. You’ve played in Ibiza, Paris, the Canary Islands, and more. Does each city bring a new energy? Does this affect your decision-making during performance?
The Liquid Dude: Definitely. Every place has its own energy and its own way of experiencing music. I always try to adapt my sets by incorporating subtle cultural references inspired by the local scene, history, or musical heritage, while still staying true to my own sound.
No matter where I play, I like to take risks and keep that element of surprise. I think people remember the moments they didn’t expect more than the ones that simply gave them what they came for.
Even in places that are considered more commercial, like Ibiza, I’ve been pleasantly surprised. Some of my favourite moments have been seeing a small group of people genuinely excited because they were discovering something new, rather than just hearing the obvious tracks they already knew. For me, that’s one of the most rewarding parts of DJing—creating memories through discovery.
6. You’ve been in the music scene for a long time. How has your music changed throughout the years?
The Liquid Dude: I think the biggest change is that I’ve become much more comfortable trusting my own instincts. Earlier on, like many producers, you naturally absorb what’s happening around you. Over time, I’ve realised that the most interesting music comes from taking risks rather than trying to fit into a scene or a trend.
These days I’m less interested in perfection and more interested in character. I don’t really think in terms of genres anymore—I think in terms of ideas. If electro, acid, house, breaks, ambient, or even classical influences belong together, then they belong together. As long as it feels honest and has something to say, I’m happy to follow wherever the music leads.
7. Who are some of your biggest inspirations in music? Are there any artists you have always looked up to?
The Liquid Dude: That’s a big question because my influences come from so many different places. Some of my biggest inspirations are actually the unknown pioneers—the artists who took creative risks, made incredible records, and quietly became precursors to entire movements without ever getting the recognition they deserved. Digging up those forgotten gems has shaped my musical identity as much as anything else.
Of course, there are also legendary artists who have had a huge impact on me. Brian Eno’s approach to atmosphere and experimentation, Jean-Michel Jarre’s vision of electronic music, and Pino Daniele’s incredible sense of melody and emotion have all influenced the way I think about music, even if what I make sounds very different.
I’ve also always been fascinated by the Japanese electronic pioneers of the late ’70s and ’80s. Yellow Magic Orchestra, Haruomi Hosono, Ryuichi Sakamoto, and Hideki Matsutake (Logic System) were incredibly forward-thinking, blending synthesizers, funk, pop, and experimental electronics in ways that still sound futuristic today.
On another side of the spectrum, I’m a big admirer of the Motown sound. Artists like Marvin Gaye, Stevie Wonder, The Temptations, and The Supremes showed how groove, songwriting, and emotion could exist in perfect balance. That sense of rhythm and soul is something that transcends genres and continues to inspire me today.
At the end of the day, I don’t really separate music by genre. If something feels honest, innovative, and has its own identity, it can become an influence—whether it’s a forgotten electro B-side, an ambient masterpiece, Japanese synth music, a Neapolitan songwriter, or a Motown classic.
8. Thank you for sitting down with us today. What can we expect from you for the rest of the year?
The Liquid Dude: There’s a lot happening behind the scenes. Liquid Freaks has never been just a record label—it’s a creative hub. From day one, the vision has been to connect people from different artistic backgrounds and give them the freedom to experiment and collaborate.
We’re currently working with a number of exciting emerging artists alongside established names, and you’ll start seeing some really interesting collaborations over the coming months. We’re also launching a podcast series that will explore not only music, but the creative minds behind it.
On the technical side, we’re developing a few music production plugins that reflect our approach to sound design and experimentation. Another project I’m particularly excited about is an electro-acoustic live band, bringing together electronic production with live instrumentation to create a different kind of performance experience.
We’re also looking beyond Europe, with plans to expand into Asia through new collaborations, cultural exchanges, and events. I think there are some incredibly exciting scenes developing there, and we’d love to become part of that conversation.
At the end of the day, Liquid Freaks is about building a community around curiosity and creativity. Whether it’s music, technology, visual arts, or live performance, the goal is to create a platform where people can take risks, collaborate freely, and hopefully inspire one another.
