Contributing WriterFiddla is a showman on the decks, playing the likes of Suncebeat, ADE and Southport Weekender as well as a previously hosted Mi-Soul Radio; he also heads up his own imprint, Moving Deep. We caught up with him as he steps onto prominent Afro House outlet, connected...
Hey Fiddla, thanks for chatting to Music Is 4 Lovers. As we head into Summer, could you give us some personal highlights of the year so far?
One of the biggest highlights for me this year has been my progression as a producer. It’s been incredible to see how studying the sounds I’m creating and investing in my brand has brought better results. The feedback from my releases, especially my latest track ‘Apocalypse,’ has been really rewarding.
Another major moment was playing once again at the world-renowned Southport Weekender — with 2025 shaping up to be an especially special year. It’s amazing to be getting even more recognition and love for the style and vibe I bring to every set, something I always play and feel from the heart.”
We’d love to know more about yourself and how Fiddla came to be.
I’m a London-based DJ/Producer, I’ve been in and around the dance music scene since the ‘90s, but my love for music started much earlier. I spent a lot of my childhood living at my Nan’s house, looking up to my uncle who was deeply into music and definitely shaped my passion for music. He had a pair of Technics 1210s — the industry standard long before any credible CDJs were around — and that’s where I first studied and learned the core skills needed to become a DJ. That’s really where my passion for playing music began.
As I got older and school was coming to an end, the rave and dance scene quickly became my new home. I was attending illegal raves and warehouse parties at legendary places like The Dungeons, Energy, Raindance, and many more, getting down to hip house, acid, and hardcore sounds. I was heavily influenced by artists like Fast Eddie, Todd Terry, Frankie Knuckles, Masters at Work, and others.
The name ‘Fiddla’ was actually given to me by a friend I grew up with — because when I was younger, I spent a lot of time fiddling with and fixing music equipment and helping setting up sound systems. I just changed the spelling a bit to make it unique and avoid any confusion with a certain musical instrument or other crazy ideas!” lol!.
Could you give us a deep dive on your new single, ‘Apocalypse’?
“Apocalypse” is definitely a turning point for me as an artist. It marks a moment where I really aligned my production style with the kind of music I genuinely love to play as a DJ — music that moves the crowd but also feels true to its roots. I wanted to make something that wasn’t just following trends or trying to fit into a formula, but instead had its own authenticity and power.
Sonically, Apocalypse hits hard. It’s built on a foundation of tough, punchy drums that really drive the energy on the dancefloor. I kept the vocal elements simple — those haunting, wailing vocals you often hear in Afro House — to give the track a human, emotional core without overcomplicating it.
The groove is snappy and striking, designed to lock people into the rhythm, while sweeping, almost classical-sounding pads weave through the arrangement, adding a layer of drama and expansiveness. The idea was to create something that feels both ancient and futuristic at the same time — powerful, raw, but also really musical.
Ultimately, Apocalypse is a track that feels like me stepping fully into my sound: Afro Tech with real soul and grit.
‘Apocalypse’ is out now via connected; why did you decide to drop the upcoming record on this imprint?
I chose to release my music on Connected for several important reasons. First and foremost, they’re recognized as one of the more established Afro House labels, and their brand and values really align with my own vision and beliefs. As a UK artist, it also felt natural and exciting to connect with a UK-based label that’s making such a global impact in the scene.
On a more personal level, I’ve been a fan of the Stereo MC’s since way back, so it’s a real honour to now be working with them through Connected. There’s a genuine respect for artistry and authenticity at the label, and that made it the perfect home for this project.
What do you think the music industry is lacking at the moment?
I think the music industry right now is lacking timeless music — music with real soul and groove. There’s so much focus on surface-level trends, glitz, and glam, and sometimes even darker, more negative influences. I believe we need to get back to creating tracks that are built on feeling and culture, not just image or hype.
House music, for example, has always been about a deeper connection — it’s a feeling, a movement, and a community. I’d love to see more artists tapping into that spirit again, making music that lasts and truly resonates with people.
What goals have you set yourself for next year in and outside of music?
First and foremost, my goal is to continue doing what I love, but with even greater dedication than before. Musically, I want to make a real mark within the industry — for my sound to be recognized and respected worldwide. I’m aiming to travel more, connect with new artists from all corners of the scene, and collaborate across different cultures.
Outside of music, it’s just as important for me to stay grounded — to stay true to my spiritual and mental beliefs. I want to approach everything I do with love, authenticity, and consciousness, making sure that my journey remains aligned with my core values.
Where can we expect to see you playing over Summer?
This summer, you can catch me playing at some great UK festivals. One of the highlights will be Let’s Get Together in Hastings, taking place from May 23rd to 25th, where I’ll be sharing the stage with incredible artists like Alton Miller, Boddhisattva, Seamushaji, and many more.
Also, my own brand, Moving Deep, will be hosting a series of events throughout the year — so definitely keep an eye out for us! There’s a lot of exciting energy building, and I’m really looking forward to bringing that to the dance-floors.
Instagram – Soundcloud – Beatport
