Hey Basilone! Great to catch up! How’s everything going with you, and how’s 2025 treating you so far?
It’s been an incredible start to the year! My EP Understand Me hit #1 on Beatport’s Top 100 Release Chart for tech house, and I’ve been overwhelmed by the support from legends like Carl Cox, Claptone, Paco Osuna, and Jamie Jones. Now, I’m gearing up for the release of Uno Dos and preparing for my upcoming tours. No complaints!

“Uno Dos” is a powerful track. Can you tell us about the inspiration behind the track and how it came to life?
I wanted to create a high-energy track that blends Latin rhythms with that driving tech house groove. Uno Dos was inspired by the percussive energy of Miami’s Latin scene and my own experiences playing at packed dance floors in Miami where people just want to move. When it finally began coming together in the studio after working on it for over a month—I knew it was going to be something special.

What role does Miami’s Latin influence play in your sound, particularly with “Uno Dos”?
Miami is a melting pot of Latin cultures, and that energy naturally seeps into my music. With Uno Dos, I leaned into that influence—rhythmic drum patterns, vocal hooks, and percussive layers that give it that infectious, dancefloor-driven vibe.

From the concept of a track to its final mix, what does your production process look like when creating a track like “Uno Dos”?
I usually start with a strong groove—drums and bass are key. Once that foundation is locked in, I layer in percussive elements and a catchy vocal hook. For Uno Dos, I played around with different rhythmic patterns until I found that perfect balance of swing and drive. Final touches are all about making sure the track hits hard in a club setting.

For listeners unfamiliar with Latin Tech House, how would you describe this subgenre and what makes it stand out in today’s scene?
Latin Tech House is all about groove, energy, and rhythm. It takes the driving basslines of tech house and fuses them with Latin percussion, vocals, and swing, creating a sound that’s impossible not to move to. Right now, it’s gaining serious traction because it brings a fresh, dynamic vibe to the dance floor.

You’ve received support from major figures like Carl Cox, who’s playing your unreleased track “Isolator” on his 2025 world tour. How does it feel to receive recognition from such industry icons?
It’s surreal. Carl Cox has been a massive influence on me over the years, so knowing that he’s playing my music on his world tour is beyond humbling. It’s one thing to believe in your music, but when legends like Carl support your work, it’s a whole new level of validation.

You’re also the founder of Direct Action Records. What is your mission with the label, and how does it help you express your musical vision?
Direct Action Records is all about pushing forward-thinking, high-energy tech house. I wanted a platform to support emerging artists who bring something fresh to the scene. It’s about curating a sound and a movement.

Can you talk a bit about how Miami’s underground scene has shaped your sound and your journey as a producer and DJ?
Miami’s underground scene is diverse, raw, and high-energy. I came up playing in clubs where you had to keep people engaged and moving all night. That experience shaped my sound—everything I make is designed to work on a dance floor. The city’s Latin and electronic influences constantly push me to experiment and evolve.

With your upcoming tours across the U.S., Latin America, and Europe, how do you adjust your sets to suit different audiences in these regions?
Every region has its own energy. In the U.S., I focus on big, driving basslines and more festival-friendly vibes. In Latin America, crowds love percussive, rhythmic tracks, so I lean into that. Europe, especially places like Ibiza, calls for deeper, rolling grooves. It’s all about reading the crowd and delivering what keeps them moving.

What’s next for you in terms of new sounds, collaborations, or evolving your style in the years to come?
I’m always evolving. I have some exciting collaborations in the works, including a big one I can’t reveal just yet. I’m also experimenting with new influences, blending tech house with different global sounds. The goal is to keep pushing boundaries while keeping the energy high.

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