Liam Miller
With an artistic ethos grounded in authenticity and innovation, Losless has become a prominent figure in the electronic music scene. Known for his dynamic productions and collaborations with esteemed labels such as Habitat, Siamese, and Bedrock Records, he seamlessly blends underground energy with genre-defying creativity. His upcoming remix of Humanity for Arude & Sincz, set to release on Moodyverse, showcases his meticulous approach to preserving and amplifying a track’s essence. From his French roots to his current life in Portugal, Losless draws on a rich tapestry of influences to craft music that resonates on both a visceral and intellectual level. In this interview, we delve into his creative process, the philosophy behind his sound, and what lies ahead for this boundary-pushing artist.
Your upcoming edit of Humanity for Arude & Sincz is set to release on Moodyverse. Can you walk us through your creative process for this track? How did you approach reinterpreting it?
Moodyverse first approached me to remix this track, and I was immediately struck by its vibrancy and the energy Arude and Sincz put into it. However, remixing an already excellent track felt irrelevant to me. My perspective shifted after a conversation with Denes Toth, the label owner. We discussed how I often create edits for my sets, and he suggested, “Why not approach Humanity as an edit instead?” That idea clicked. Back in the studio, I approached the session differently. I focused on preserving the essence of the original, keeping its strongest elements. I restructured the track, adjusted the drums, and redesigned the bass to make it more energetic and personal.
What emotions or themes were you aiming to evoke with this remix?
I prefer to talk about “energy” rather than “emotion,” and my goal was to not only preserve but boost the energy of the original track. I focused on maintaining its core while amplifying the elements I loved most in the original version.
Moodyverse has a distinct aesthetic and vision. How does releasing on this label align with your artistic values?
One of my guiding principles is letting the music speak for itself. If a project resonates with me artistically, feels innovative, and speaks to me, whatever the name, I go for it. That’s exactly what happened here—I was immediately drawn to Arude and Sincz’s track, and Denes’ enthusiasm came to solidify my decision.
You’ve worked with renowned labels like Habitat, Siamese, and Bedrock Records. How have these collaborations shaped your sound and career?
Honestly, I never tailor my sound to fit any particular label. This is another guideline I follow—I let my inspiration lead the way when I’m creating, regardless of style, vibe, or BPM. My main goal is always to enjoy the process and let things flow naturally. Thinking about where my music might fit before it’s even made is counterproductive for me. Questions about labels come later. However, collaborating with these brands is always enriching—it certainly helped my music reach an audience and get a certain recognition. 
Which release do you feel has been the most pivotal for your growth as an artist, and why?
I can’t pinpoint a single release that was a turning point in my career. I often have my head down, focusing on the work, and I don’t always notice changes—it all feels quite progressive. That said, collaborating with ARTBAT and KAS:ST on two tracks helped draw attention to my work. My upcoming collaboration with ARTBAT is also highly anticipated. The track hasn’t been released yet, but people ask me daily for the release date.
While these collaborations reflect visibility, on a personal level, my solo track Malfunction was a breakthrough for me. It marked a moment of artistic liberation during its creation and was also my first self-release. It taught me the value of controlling my music, visuals, and distribution; something I’ve come to see as essential for an artist.
Growing up with French roots and now living in Portugal, how do these cultural influences shape your music and creative perspective?
Having grown up in a small French town in the countryside, my techno culture was primarily shaped by free parties. It was where I learned about the artistic freedom of this movement and its underground essence, which I couldn’t find anywhere else.
Lisbon represents a second life for me, both personally and artistically. There, I discovered a different club culture that was completely different from what existed in my hometown. It surely helped my mindset evolve, allowing me to be where I am today. The city has been both inspiring and calming, guiding me through key moments in my career, both highs and lows.
Your music has a unique identity. How do you balance staying true to your style while evolving with the ever-changing electronic music scene?
I’m extremely curious when it comes to music. In fact, electronic music is probably what I listen to the least. I stay informed about what’s happening in the scene today, and I try to remain open-minded about art in general. I think this helps me stay relevant without straying off course.
The biggest challenge for me is avoiding predictability while staying relevant. I don’t like reproducing what already exists, so I strive to avoid the obvious and draw from the many musical styles that have shaped me; whether it’s drum’n’bass, metal, techno, classical music, hip-hop, or psytrance. I think a certain creative spontaneity stems from this eclectic background.
After the Humanity remix, what’s next on the horizon for Losless? Can we expect more releases, collaborations, or live performances in 2024?
A lot is coming. Two solo EPs will be released very soon. As I mentioned earlier, there’s a new collaboration with ARTBAT on the way. I’m also teaming up again with Roman Kyn, an artist and friend who means a lot to me. We previously collaborated on the Siamese label, and I’m excited to be working with him again; this time on a different label. More details to come soon!
In the meantime, you can catch me performing live here and there; the best place to test all my latest tracks.
